Well, it never felt like I was really pushing myself to go beyond what I felt was my "discomfort" zone in my art... but at the same time, I really have been. For the past year, my husband's and my life have been in extreme turmoil... it's still dragging on. Our personal relationship is strong (and has been for almost 23 years) but we are facing a really scary future. I cannot give details right now.
Since I created my first blog, I've finally allowed myself to turn inwards and explore the anxiety and stress that our situation has created and to allow that exploration to present itself onto canvas. First, it is saving my sanity, secondly... I really don't know if it's creating provocative art.
Should I care? Maybe I shouldn't, but I do. My own inhibitions, my own anal hangups on past training, has kept me too restrictive in how I approach my materials, my vision, my techniques. Time to get messy? Definitely yes.
Baby step, by baby step... I am finally starting to push beyond those self imposed boundaries. Explore a little more, be a little more comfortable in my own artistic "skin".
What has helped? Discovering encaustic painting.
Almost 2 months ago, my family and I spent part of a day visiting other artists at their studios during the Portland Open Studio tours. 2 of the studios were encaustic artists. Now, I've heard of encaustics, seen many of them, but had never really understood the process or knew how to do it. I thought it was way beyond me, financially and creatively, for many years.
So, what did I do? I signed up for a 4 week workshop... then fell in love. Thank goodness for a very patient, loving & supportive husband. Since that first class, I have become completely obsessed with encaustics. My own home studio is now step up and I've been doing encaustics on an almost daily basis (curses to family visits, holiday events, weekends where my kids & hubby need me, getting sick... lol). My children are now learning how to do encaustics, and are also falling in love with it.
Why did I fall in love? For the first time in my artistic (and architectural drafting) life, I LET GO. There was no forethought. No expectations. No control freak issues to get in the way of just creating. I had no real control over the wax, the flame... no real thought on what I was trying to create. Just playing, relaxing, enjoying the process.
Wow.
That was a first. It is even creeping into how I approach oil painting... finally!
And so it continues 