Total Art Soul - for artists

" Everything you can imagine is real "
Pablo Picasso

Every Little Helps...

Article courtesy of Karen Ruffles

I was inspired to write this after talking to a friend who was having some issues with a dream she had. I draw demons, which often come to me in nightmares and I usually find that once they are down on paper, they become much more manageable. Usually :) I finished up by joking that this is why I'm approaching an agent with them soon- if they are going to keep me up all night, the least they can do is buy me a drink!


Early sketch of  'Her Ladyship'

 

 

 

This got me thinking about the relationship between creating and money. There are some obvious issues- do you purely do your own thing and hope it sells? Do you -can you- work to ideas someone else has presented, such as work on a book cover perhaps? Is it a hobby, something you just relax with that pays for itself all being well? Or are you like many of us, looking for a way of working that pays for you to do what you love, so you can continue doing it?

 

That's the tricky part.

 

Or is it? I often get frustrated with lack of inspiration, ideas are like birds- you can't make them appear, you just have to watch and wait. You sit there and nine times out of ten, it's a sparrow, or a starling- very nice, but nothing to get that excited about. If you're lucky though, every once in a while, you spot a 'What the holy cr*p was that? I've never seen one of those before- careful, it might bite' idea.

 

I'm just finishing a second work on just such an idea- can't share him with you yet but he's a good one:) I'm very excited about the whole project and think it's some of my best work. I have to say though, it's exhausting! Asides from the mental strain of working on something so important, a thing like that requires an awful lot of research. To make him as real to everyone else as he is to me, I've had to learn a lot about anatomy of more than one species, find a whole bunch of reference photos and then using my artistic know how, allow for differences in lighting, perspective etc to put them together in one coherent image.

 


Charcoal drawing of physalis

 

Which is why I'm starting to think I'm actually getting about as many of those as I can handle. Not just for the sake of my sanity, such as it is, but because of the technical skills I've had to learn to make these things happen. I've had to spend a lot of years drawing, say, fruit, to get my understanding of how different surface textures reflect light.

 

I'm not going to wander off into a lot of technical waffle, I just want to leave you with the thought that there is always something to be learnt, whether you are sketching, collecting, taking photos or just testing new materials. You never know when that little bit of knowledge might come in handy. It's all important.

 

Oh, and don't let your feet hang off the end of the bed- I know what's under there :)

 

More of Karen Ruffles' work can be found here

 

Featured Artist - Huiyi Tan Jewelry Designer

I'm delighted to featured this very talented jewelry designer. Huiyi Tan was born in China, was partly educated in the UK, lived some time in the US but is now in Cornwall, UK working on her collections.

 

 

Huiyi is an GIA Accredited Jewelry Professional. She was first trained to be an interior designer at college in China, and gained her MA in jewelry design at the School of Jewelry, Birmingham Institute of Art & Design in the UK. After graduation, she lived in America for about 4 years and traveled to the U.K. from time to time. Since June 2010, she has been active in the artisan market as an independent jewelry designer and maker.

 

 

 

Some of the work Huiyi does is research work. She says:

 

" Because of the open visible space, I chose the ring as my practice and research object. There are three relationships that make these pieces attractive: the relationship between the hand and the form; between the hand and the fluidity; and between the form and the fluidity. They support one another."

 

 

 

You can find more of Huiyi's work here

 

Featured Artist - bbrunophotography aka Bonnie Bruno

Welcome to the world of Bonnie Bruno.

 

She borrows her inspiration from the colors and textures found in nature. Her abstracts begin with an original nature photo which she digitally manipulates, adds texture, and paints with a Wacom Intuos pen tablet. She uses a professional lab for printing on high-quality archival papers.

 

 

 

Bonnie has been prolific in uploading her beautiful photography here on TAS. I always look forward to seeing her work and she surprises me with her creativity and her perspective. Please take a look at her profile here because I know you'll find it a joy.

 

 

 

Bonnie is also a writer of children's books and greeting cards.

 

Bonnie says: "One of the realities of a writer’s life is that our books don’t last forever. It has been said that the average shelf life of a book is around two years, so it’s every writer’s challenge to keep coming up with new ideas and to not waste time lamenting past projects that are no longer in print. I’ve written devotionals for families; teacher’s object talk books; a family guide to computing back in the early days of the Internet; a Bible study guide that was a finalist for the Gold Medallion Book Award; and a series of historical fiction for middlers. Each has been unique and special, and a joy to write."

 

 

You can get more information about Bonnie here

 

 

How to Make Salt Dough Magnets

Salt dough is such a versatile medium to work with.  It is really inexpensive and can be made at home and frankly, your creations will only be limited by your imagination. 

   

Our member TaraDesigns gives you not only the recipe but also shows you how to make a simple star magnet.  You can obviously choose your own designs and let your imagination run wild.

Salt Dough Recipe:

  1. 2 cups flour (plain)
  2. 1 cup table salt
  3. 1 cup water

Optional ingredients: about a tablespoon of oil (vegetable) and you can also use a tablespoon  of lemon juice. The oil makes the kneading a little easier and the lemon juice creates a harder dough in the end.

Tools/Utensils you will need:

  1. cookie cutters
  2. rolling pin
  3. baking sheet/pan
  4. wax paper
  5. craft paints and paintbrushes
  6. something to hold the paint
  7. craft glue
  8. magnets

You can use just about anything you want to decorate these: glitter is pretty and even swatches of fabric (like a patchwork effect) Go crazy!

 

 

Put the flour and salt in a bowl along with any of the optional ingredients and gradually start adding water.  The mixture should not be sticky or too dry. You have to use a little bit of judgement on whether to add more flour (if it’s too sticky) or add more water (if it’s too crumbly and dry).

I like to let the mixture sit for about 20 – 30 minutes in a container before using. You can also make this mixture in advance and leave it in the frig for up to a week and then use.

 

Get your wax paper out and cut a sheet large enough for you to roll out your dough. Now your going to use your rolling pin and roll out the dough until it is the thickness you need to make a good sized magnet. Half an inch is too thick so go less than that maybe a quarter.

Once you have the thickness you need, get your cookie cutters or whatever you are using and start cutting your shapes.

 

Leave your pieces on the wax paper and glide the wax paper onto the cookie sheet. This way you don’t have to move all the pieces individually. Now you have two choices: the oven or air dry your pieces. I prefer the oven because it is much faster. Air drying can take up to 24 hours and the pieces do not “plump” or rise when you air dry them. If you want them fairly flat then air dry is best.

The oven can be set from Warm to 200°F. (100°C) It all depends on the size of your pieces. For mine I set it at 200°F and watched it  for about 20 minutes. That’s pretty fast and you have to keep your eye on it so you don’t burn them. Warm to 100°F (40°C) is probably the optimum for the average size (2″ x 2″) for about 30 to 40 minutes.

 

Test the pieces using a pin or toothpick to make sure they are not soft in the middle. You have to test them because sometimes the edges can get brown and you think they are done and the middle is still soft. Once they are done let them cool for about an hour.

Once the pieces are fully hardened, you are ready to paint. A little note here: you can sand these once they are dry. You can use  sandpaper or even an emery board to get rid of the rough edges. These things get hard as rock once they are fully dried so it is strong enough to handle the sanding.

    

Get creative and use different techniques of painting on these. This is the best part – you can do whatever you want!

  

Once your masterpiece painting is dry you can glue your magnet parts to the back.  And voila! You have a Salt Dough Magnet Creation!

 For tutorials on how to market yourself online, please go here:

 

 

 
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